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KIWI | K Issue Weekly Insight
ν•œκΈ€λ¦¬ν¬νŠΈAuthors & Editors
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[리뷰]μ˜μƒ ν˜•μ‹μ˜ μ‹œμ†Œκ²Œμž„: 'λͺ¨λ‘ λ‹€ μž‡λŠ” 자' 그리고 'λͺ¨μ‘°λ¦¬ λŠμ–΄λ²„λ¦¬λŠ” 자'…극단에 맀료된 μ½˜ν…μΈ λ“€

숏폼 λ“œλΌλ§ˆλŠ” νŒŒνŽΈν™”λœ λͺ°μž…을 μœ λ„ν•˜λŠ” 속도 μ€‘μ‹¬μ˜ μ „λž΅μ΄κ³ , λ‘±ν…Œμ΄ν¬ 촬영 방식은 지속성 μ•ˆμ—μ„œ 감정을 λˆ„μ μ‹œν‚€λŠ” 방식을 탐색 쀑이닀. 이렇듯 μ½˜ν…μΈ  μ‚°μ—…μ˜ ν•œλ³΅νŒμ—μ„œ λ²Œμ–΄μ§€κ³  μžˆλŠ” 숏폼 λ“œλΌλ§ˆμ™€ 원씬 μ›μ»·μ˜ β€˜ν˜•μ‹μ˜ μ‹œμ†Œκ²Œμž„β€˜μ€...

ν•œκΈ€λ¦¬ν¬νŠΈColumn & Essay
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[칼럼] μ˜ν™”μ œλ₯Ό λ§Œλ“  곡간듀, 곡간이 λ§Œλ“  μ˜ν™”μ œ: μ˜ν™”μ œμ™€ 곡간성에 κ΄€ν•œ 단상

μ§€μ—­μ˜ 곡간성이 'μ˜ν™”μ œ'둜 인식될 수 μžˆλ„λ‘ λ‘œμ»¬λ¦¬ν‹° 기반 정체성을 λΆ„λͺ…νžˆ λ“œλŸ¬λ‚΄μ•Ό ν•˜κ³ , 'μ˜ν™”μ œ'λŠ” λ‹¨λ°œμ„± μ΄λ²€νŠΈκ°€ μ•„λ‹Œ μž₯μ†Œκ°€ ν’ˆκ³  μžˆλŠ” κΈ°μ–΅κ³Ό 문화적 μ§€ν˜•μ„ κ΅¬μΆ•ν•˜λŠ” μ‹€μ²œμ΄ λ˜μ–΄μ•Ό ν•œλ‹€.

ν•œκΈ€λ¦¬ν¬νŠΈReview & Essay
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[리뷰]'디지털 원주민'으둜 μ „λ½ν•œ μ˜€λŠ˜λ‚  10λŒ€ μ²­μ†Œλ…„, 그리고 폭λ ₯의 μˆœν™˜ : λ„·ν”Œλ¦­μŠ€ μ΅œμ‹ μž‘ 'μ†Œλ…„μ˜ μ‹œκ°„(ADOLESCENCE)'

이 λ“œλΌλ§ˆλŠ” λ‹¨μˆœ μ˜€λ½κ±°λ¦¬κ°€ μ•„λ‹Œ μ‚¬νšŒμ  성찰을 μš”κ΅¬ν•œλ‹€. λ‘±ν…Œμ΄ν¬λΌλŠ” ν˜•μ‹μ  μž₯치λ₯Ό 톡해 관객을 λΆˆνŽΈν•œ ν˜„μ‹€μ†μ— μΉ¨μž μ‹œν‚€λ©°, μš°λ¦¬μ—κ²Œ μž”μΈν•œ μ§ˆλ¬Έμ„ λ˜μ§„λ‹€β€”ν˜„λŒ€ μ‚¬νšŒμ˜ '디지털 원주민'으둜 μ„±μž₯ν•˜λŠ” μ²­μ†Œλ…„μ˜ 정신적, 도덕적 ν˜„μ‹€μ„ μš°λ¦¬λŠ” μ–Όλ§ˆλ‚˜ μ΄ν•΄ν•˜κ³  μžˆλŠ”κ°€

ν•œκΈ€λ¦¬ν¬νŠΈReview & Essay
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[쟁점] λ΄‰μ€€ν˜Έγ€ˆλ―Έν‚€ 17γ€‰μ˜ ν™•μž₯μ„±: 경계λ₯Ό λ„˜μ–΄μ„œλŠ” K-μ½˜ν…μΈ 

μ΅œμ‹  μ˜ν™”γ€ˆλ―Έν‚€ 17γ€‰μ˜ 정체성은 'ν•œκ΅­μ μΈ 것'κ³Ό '미ꡭ적인 것' μ‚¬μ΄μ—μ„œ λŠμž„μ—†μ΄ λ―Έλ„λŸ¬μ§€λ©°, μ–΄λŠ ν•œμͺ½μœΌλ‘œ μ™„μ „νžˆ κ·€μ†λ˜μ§€ μ•ŠλŠ”λ‹€. μ—¬μ „νžˆ λͺ¨ν˜Έν•˜λ‹€. κ·ΈλŸ¬λ‚˜ λͺ¨ν˜Έν•œ 것이 정체성이 λ˜λŠ” μ‹œλŒ€λ‹€.

ν•œκΈ€λ¦¬ν¬νŠΈK-pop & Music
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[KIWI] μ΄μ†Œμœ€, λ―Έκ΅­ λ‚΄ μΌ€μ΄νŒ ν˜„μƒκ³Ό μ„œμšΈ ν•œκ΅­μ˜ λ¬Έν™” 생산 양식에 κ΄€ν•˜μ—¬

KIWI νŽΈμ§‘νŒ€

ν•œκΈ€λ¦¬ν¬νŠΈTalk & Event
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[행사] ν•œλ₯˜ μ½˜ν…μΈ  μ‚°μ—… λ°œμ „μ„ μœ„ν•œ KOCAF 제2λŒ€ 집행뢀 곡식 μΆœλ²”...제2λŒ€ μ •κΈΈν™” 회μž₯ μ·¨μž„μ‚¬

이번 μ΄νšŒμ—μ„œ μ •κΈΈν™” λ™κ΅­λŒ€ ν•œλ₯˜μœ΅ν•©ν•™μˆ μ›μž₯이 제2λŒ€ 회μž₯으둜 μ„ μΆœλ˜μ—ˆλ‹€. μ • 회μž₯은 μ·¨μž„μ‚¬μ—μ„œ ν•œλ₯˜ μ‚°μ—…μ˜ 지속가λŠ₯μ„± μœ„κΈ°, κΈ€λ‘œλ²Œ OTT 의쑴 증가, μ½˜ν…μΈ -ν”Œλž«νΌ κ°„ λΆˆκ· ν˜•, μƒμ„±ν˜• AI 도전 등을 μ–ΈκΈ‰ν•˜λ©°, 이λ₯Ό ν•΄κ²°ν•˜κΈ° μœ„ν•΄ μ •μ±… κΈ°λŠ₯ κ°•ν™”λ₯Ό μ΅œμš°μ„  과제둜 μ‚Όκ² λ‹€κ³  λ°ν˜”λ‹€.

ν•œκΈ€λ¦¬ν¬νŠΈK-pop & Music
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[평둠] λΈ”λž™ν•‘ν¬λŠ” 'μ–΄λ–€' 혁λͺ…인가?

2000λ…„λŒ€ ν•œκ΅­μ—μ„œ μœ λ…„κΈ°λ₯Ό 보낸 ν•„μžλŠ” 뢄홍색 머리λ₯Ό ν•œ '아바타 μŠ€νƒ€ 슈'λ‚˜ 'μ„ΈμΌλŸ¬λ¬Έ'을 보며 자랐고, μ²­μ†Œλ…„μ΄ 된 2010λ…„λŒ€μ—λŠ” λ‚˜ λ“±μ˜ λ―Έκ΅­ ν•˜μ΄ν‹΄ μ˜ν™”λ₯Ό μ ‘ν•˜λ©° μžμ—°μŠ€λŸ½κ²Œ 핑크와 μ—¬μ„±μ„±μ˜ 관계λ₯Ό λ‚΄μž¬ν™”ν–ˆλ‹€.

Authors & EditorsReview & Essay
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[ν•œλ₯˜] Reverse-Hybridity and its impacts, Misperception on Korea and Asian Stereotypes : A Case Study of the Netflix Series XO Kitty (μ„œκ΅¬ μ œμž‘ ν•œκ΅­ κ΄€λ ¨ μ½˜ν…μΈ )

Their stereotypes are ethnic biases created by American-centric perception, rooted in the concept of Orientalism, referring to the Western portrayal of Asian cultures through a lens of presumed Western superiority.

K-drama
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[ν•œλ₯˜] Analyzing the Globalization Strategies of Korean Dramas in the Digital Age through the Concept of β€œIntertextuality”: With a Focus on the KBS Historical Drama, β€œThe King’s Affection”(λ“œλΌλ§ˆ 'μ—°λͺ¨'의 μƒν˜Έν…μŠ€νŠΈμ„±μ— κΈ°λ°˜ν•œ μ „λž΅μ˜ 효과)

The study analyzes how content nodes of K-dramas are positioned on the content universe through intertextuality, examining their globalization strategies in the 21st century digital age.

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[ν•œλ₯˜] Hallyu and Acculturation of International Students in Korea: Cross-cultural Analysis (ν•œλ₯˜κ°€ μœ ν•™μƒμ˜ 문화적응에 λ―ΈμΉ˜λŠ” 영ν–₯)

Korean Wave has had a great impact on international students in Korea and that the aspect of Korean language proficiency should be emphasized in any cultural adaptability scale.

ν•œκΈ€λ¦¬ν¬νŠΈAuthors & EditorsK-pop & Music
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[리뷰] 'μ„±μž₯의 μ‹œλŒ€' 1970λ…„λŒ€λ₯Ό λ…Έλž˜ν•œ, κ°€μˆ˜ μ†‘λŒ€κ΄€ 선생을 기리며

β€˜λ…Έλ ₯ν•˜λ©΄ μ„±κ³΅ν•œλ‹€β€™λŠ” κ°€μ‚¬λŠ” 1970λ…„λŒ€ 고도성μž₯기의 μ„œμ‚¬λ‹€. λ…Έλ ₯ν•œλ‹€κ³  λͺ¨λ‘κ°€ μ„±κ³΅ν•˜λŠ” 것이 μ•„λ‹μ§„λŒ€ 둜또볡ꢌ(λ‹Ήμ‹œλŠ” μ£Όνƒλ³΅κΆŒ) 당첨이 μ•„λ‹Œ, λ‚ λ§ˆλ‹€ λ‹€μ‹œ λ– μ˜€λ₯΄λŠ” ν•΄λ₯Ό μ†Œν™˜ν•˜κ³  μžˆλ‹€.

ν•œκΈ€λ¦¬ν¬νŠΈColumn & Essay
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[칼럼] OTT μ‚°μ—…μ˜ λŒ€μ „ν™˜μ : μ„±μž₯μ—μ„œ μˆ˜μ΅μ„±μœΌλ‘œ, 2025λ…„ κΈ€λ‘œλ²Œ λ―Έλ””μ–΄ μ‹œμž₯의 λ³€ν™”

ν•œκ΅­ μ½˜ν…μΈ  산업이 지속 μ„±μž₯ν•˜κΈ° μœ„ν•΄μ„œλŠ” μ€‘μš”ν•œ κ³Όμ œκ°€ μžˆλ‹€. OTT μ‹œμž₯의 변화에 맞좰 수읡 ꡬ쑰λ₯Ό 닀각화해야 ν•œλ‹€. AI λ“± 첨단 κΈ°μˆ μ„ ν™œμš©ν•΄ μ½˜ν…μΈ μ˜ κΈ°νšλΆ€ν„° μ œμž‘, μœ ν†΅κΉŒμ§€ μ „ κ³Όμ •μ˜ νš¨μœ¨μ„±μ„ λ†’μ—¬μ•Ό ν•œλ‹€.