K-drama

About K-drama

ํ•œ๊ธ€๋ฆฌํฌํŠธAuthors & EditorsK-drama
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[์นผ๋Ÿผ] ํŒ”๋ฆฌ๋Š” ์ฝ˜ํ…์ธ ๋ฅผ ๋„˜์–ด์„œ: ์ƒˆ ์ •๋ถ€์˜ ํ•œ๋ฅ˜ ์ •์ฑ…์ด ๋‹ด์•„์•ผ ํ•  ์ฒ ํ•™๊ณผ ๋น„์ „

์ด์ œ ์ƒˆ ์ •๋ถ€๋Š” ๋‹จ๊ธฐ์  ์ˆ˜์ถœ ์„ฑ๊ณผ๋‚˜ ์‚ฐ์—… ์ˆ˜์น˜์—๋งŒ ๋งค๋ชฐ๋œ ํ•œ๋ฅ˜ ์ •์ฑ…์—์„œ ๊ณผ๊ฐํžˆ ๋ฒ—์–ด๋‚˜์•ผ ํ•œ๋‹ค. ํ•œ๋ฅ˜๋Š” ๋” ์ด์ƒ โ€˜ํŒ”๋ฆฌ๋Š” ์ฝ˜ํ…์ธ โ€™๋งŒ์œผ๋กœ ์„ค๋ช…๋  ์ˆ˜ ์—†๋‹ค.

ํ•œ๊ธ€๋ฆฌํฌํŠธAuthors & EditorsK-drama
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[๋ฆฌ๋ทฐ] ์‹œ์ฒญ์ž์˜ ๊ธฐ๋Œ€๋ฅผ ๋ฐฐ์‹ ํ•œ ๋“œ๋ผ๋งˆ๋“ค: SBS '๋ณด๋ฌผ์„ฌ' JTBC 'ํ˜‘์ƒ์˜ ๊ธฐ์ˆ '์˜ ํ—ˆ๋ฌดํ•œ ๊ฒฐ๋ง

์ด๋Ÿฌํ•œ ๋“œ๋ผ๋งˆ ๊ฒฐ๋ง์—๋Š” ์ •์˜์˜ ์‹คํ˜„์ด โ€˜์ž ์ •์  ์Šน๋ฆฌโ€™์— ๋ถˆ๊ณผํ•˜๋ฉฐ, ์•…์˜ ๊ทผ์›์€ ์ฒด์ œ์™€ ๊ฒฐํƒํ•˜์—ฌ ๋‹ค์‹œ ๋ถ€ํ™œํ•  ์ˆ˜ ์žˆ๋‹ค๋Š” ํ˜„์‹ค์  ๋ƒ‰์†Œ๋ฅผ ๋‹ด๊ณ  ์žˆ๋‹ค. ์ด์ฒ˜๋Ÿผ ๋‘ ๋“œ๋ผ๋งˆ๋Š” ํ†ต์ƒ์ ์ธ ์ •์˜ ๊ตฌํ˜„ ์„œ์‚ฌ๋ฅผ ์ „๋ณตํ•˜๊ณ , ๋ณต์ˆ˜์˜ ํ—ˆ๋ฌดํ•จ๊ณผ ์•…์˜ ์ƒ๋ช…๋ ฅ์„ ๊ฐ•์กฐํ•˜๋Š” ๋ฐฉ์‹์œผ๋กœ ๊ฒฐ๋ง์„ ๊ตฌ์„ฑํ•˜์˜€๋‹ค.

K-drama
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[ํ•œ๋ฅ˜] Analyzing the Globalization Strategies of Korean Dramas in the Digital Age through the Concept of โ€œIntertextualityโ€: With a Focus on the KBS Historical Drama, โ€œThe Kingโ€™s Affectionโ€(๋“œ๋ผ๋งˆ '์—ฐ๋ชจ'์˜ ์ƒํ˜ธํ…์ŠคํŠธ์„ฑ์— ๊ธฐ๋ฐ˜ํ•œ ์ „๋žต์˜ ํšจ๊ณผ)

The study analyzes how content nodes of K-dramas are positioned on the content universe through intertextuality, examining their globalization strategies in the 21st century digital age.

ํ•œ๊ธ€๋ฆฌํฌํŠธK-drama
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[์นผ๋Ÿผ] "ํ•ด์™ธ ์‹œ์žฅ์ด ์ฃผ๋ชฉํ•˜๋Š” K-๋“œ๋ผ๋งˆ์˜ ๋ฌด๊ธฐ๋Š” '์†Œ์žฌ'์ผ๊นŒ, '์ธ๋ ฅ'์ผ๊นŒ?"...K-์˜ ๋ณดํŽธ์  ๋ฏธ๋ž˜๋ฅผ ๊ฟˆ๊พธ๋ฉฐ

ํ•œ๊ตญ ๋“œ๋ผ๋งˆ์— ๋” ๋šœ๋ ทํ•˜๊ฒŒ ์ฅ˜ ์ˆ˜ ์žˆ๋Š” ๊ฐ•๋ ฅํ•œ ์†Œ์žฌ๊ฐ€ ํ•„์š”ํ•˜๋‹ค๋Š” ์ƒ๊ฐ์ด๋‹ค. ์šฐ๋ฆฌ์˜ ๊ฒฝ์Ÿ๋ ฅ์ด ์ธ๋ ฅ์— ์˜์ง€ํ•˜๋Š” ์ •๋„๊ฐ€ ๋†’์„์ˆ˜๋ก ์ง€์†์ ์ธ ์˜ํ–ฅ๋ ฅ์„ ์—ฐ์žฅํ•˜๊ธฐ์— ์œ„ํ—˜ ๋ถ€๋‹ด์ด ์ž๋ฆฌํ•œ๋‹ค.

ํ•œ๊ธ€๋ฆฌํฌํŠธK-dramaReview & Essay
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[๋น„ํ‰] ๋งค๋ ฅ์ ์ธ ์ƒ์—… ์„œ์‚ฌ, K-๋“œ๋ผ๋งˆ ์† ์—ฌ์„ฑ์˜ ์„ฑ๊ณผ ์‚ฌ๋ž‘: tvN ๋“œ๋ผ๋งˆ "์ •๋…„์ด"์™€ Jtbc"์ •์ˆ™ํ•œ ์„ธ์ผ์ฆˆ" ๋“ฑ

ํฅ๋ฏธ๋กœ์šด ์ง€์ ์€ ๋Œ€์ค‘๋ฌธํ™”๊ฐ€ ๋‚จ์„ฑ์˜ ์„ฑ์ด๋‚˜ ๋™์„ฑ์• ์— ๋Œ€ํ•ด ๋‹ค๋ฃฐ ๋•Œ์™€๋Š” ๋‹ค๋ฅด๊ฒŒ, ์—ฌ์„ฑ์˜ ์„ฑ์— ๊ด€ํ•œ ์ด์•ผ๊ธฐ์—๋Š” ๋น„๊ต์  ๊ด€๋Œ€ํ•˜๋‹ค๋Š” ์ ์ด๋‹ค. ์™œ ๊ทธ๋Ÿด๊นŒ?

Column & Essayํ•œ๊ธ€๋ฆฌํฌํŠธK-drama
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[๋น„ํ‰] "์ง„๋ถ€ํ•œ ๋ถ€๋ถ€ ์‚ฌ์ด์— ๋ฉœ๋กœ๋ผ๋‹ˆ!"...K-์ฝ˜ํ…์ธ  ์Šคํ† ๋ฆฌํ…”๋ง์˜ ํž˜์€ ์–ด๋””๊นŒ์ง€?

๊ฐ€์กฑ, ๋ถ€๋ถ€, ๋กœ๋งจ์Šค๋Š” ๋ชจ๋“  ๋ฌธํ™”๊ถŒ์„ ๋ง๋ผํ•˜์—ฌ ๋ณดํŽธ์ ์ธ ์†Œ์žฌ์ด๋ฉฐ, ์‹œ์ฒญ์ž์˜ ๊ด€์‹ฌ์ด ๊ฐ€์žฅ ์ง‘์ค‘๋˜๋Š” ์žฅ๋ฅด์ด์ž ์†Œ์žฌ์ด๋‹ค. ํ•˜์ง€๋งŒ ์ด๋“ค ๊ฐ„์˜ ์กฐํ•ฉ์€ ์‰ฝ๊ฒŒ ์ƒ์ƒ๋˜์ง€ ์•Š๋Š”๋‹ค. ๋ถ€๋ถ€ ๊ฐ„์˜ ๋กœ๋งจ์Šค๋Š” โ€˜๊ฐ€์กฑ๋ผ๋ฆฌ ๋ฌด์Šจ?โ€™ ์ด๋ผ๋Š” ๋†๋‹ด์ด ์žˆ์„ ์ •๋„๋กœ ์›ƒ๊ธฐ๋Š” ์กฐํ•ฉ์ด๋‹ค. ํ•˜์ง€๋งŒ ํ•œ๊ตญ์˜ ํ…”๋ ˆ๋น„์ „ ๋“œ๋ผ๋งˆ๊ฐ€ ๊ทธ๊ฒƒ์„ ํ•ด๋‚ด๋Š” ์ค‘์ด๋‹ค.

ํ•œ๊ธ€๋ฆฌํฌํŠธK-drama
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[๋ถ„์„] ์›น์†Œ์„คยท์›นํˆฐ์ด ์ ๋ นํ•œ TV โ€ฆ"์›์ž‘์ด ์žˆ์–ด์•ผ ์„ฑ๊ณตํ•œ๋‹ค"

์›น์†Œ์„คยท์›นํˆฐ์˜ ๋“œ๋ผ๋งˆํ™”๋Š” ๋‹จ์ˆœ ํŠธ๋ Œ๋“œ๋ฅผ ๋„˜์–ด ์ฝ˜ํ…์ธ  ์‚ฐ์—…์˜ ์ค‘์š”ํ•œ ์ถ•์œผ๋กœ ์ž๋ฆฌ ์žก๊ณ  ์žˆ๋‹ค. ์ด๋Š” ํ•œ๊ตญ ๋“œ๋ผ๋งˆ์˜ ๋‹ค์–‘์„ฑ๊ณผ ์ฐฝ์˜์„ฑ์„ ํ•œ์ธต ๋” ๋†’์ด๋Š” ๊ณ„๊ธฐ๊ฐ€ ๋˜๊ณ  ์žˆ๋‹ค. ๋‹ค๋งŒ ์ด์™€ ๋”๋ถˆ์–ด ์ง€์ƒํŒŒ ๋ฐฉ์†ก์ œ์ž‘์‚ฌ์˜ ๋‹จ๋ง‰๊ทน ๋“ฑ์„ ํ†ตํ•œ ์‹ ์˜ˆ ์ฐฝ์ž‘์ž๋“ค์„ ๋ฐœ๊ตดํ•ด๋‚ด๋Š” ์‹œ์Šคํ…œ์ด ์žˆ์–ด์•ผ ๊ธ€๋กœ๋ฒŒ ์‹œ์žฅ์—์„œ K๋“œ๋ผ๋งˆ์˜ ์œ„์ƒ์ด ๋”์šฑ ๋†’์•„์งˆ ๊ฒƒ์ด๋‹ค.

Column & EssayK-drama
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[Essay] The significance of K-drama's wins at international awards---โ‘ก

K-dramas have expanded globally, evidenced by successive international awards. "Yeonmo" winning the International Emmy signifies a shift in cultural perception. While celebrating, it's vital to consider the broader implications for K-drama's sustainability and future growth ....

K-dramaReview & Essay
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[Essay] The significance of K-drama's wins at international awards---โ‘ 

K-dramas have expanded globally, evidenced by successive international awards. "Yeonmo" winning the International Emmy signifies a shift in cultural perception. While celebrating, it's vital to consider the broader implications for K-drama's sustainability and future growth ....

K-drama
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[News] Korean IPR trade surplus of $1.8 billion 'largest ever'

"While demand for Korean cultural content such as music, dramas and webtoons remained robust, cultural and artistic copyrights achieved the largest surplus ever as overseas performances expanded after the coronavirus pandemic,"

K-dramaReview & Essay
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[Movie] On the Possibility of Nationalistic Occultism: 3.1 Movement and <EXHUMA:็ ดๅข“>

Perhaps the most controversial movie of the year, "EXHUMA" stands on two delicate points. The "Asian universals" of goodness and shamanism and the "limitations of 100 years of time", which are the three dimensions of the soul's dispersion, collide in an interesting way.

Column & EssayK-drama
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[ESSAY] How Will Short-Form Videos Impact Korean TV Drama Reception?

Short-form content also plays a crucial role in the popularity of dramas in the entertainment industry. Recently, the younger generation tends to consume TV dramas not only through global SVOD platforms such as Netflix, but also through short-form platforms such as TikTok, Reels, and Shorts.