K-drama

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K-drama
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[ํ•œ๋ฅ˜] Analyzing the Globalization Strategies of Korean Dramas in the Digital Age through the Concept of โ€œIntertextualityโ€: With a Focus on the KBS Historical Drama, โ€œThe Kingโ€™s Affectionโ€(๋“œ๋ผ๋งˆ '์—ฐ๋ชจ'์˜ ์ƒํ˜ธํ…์ŠคํŠธ์„ฑ์— ๊ธฐ๋ฐ˜ํ•œ ์ „๋žต์˜ ํšจ๊ณผ)

The study analyzes how content nodes of K-dramas are positioned on the content universe through intertextuality, examining their globalization strategies in the 21st century digital age.

ํ•œ๊ธ€๋ฆฌํฌํŠธK-drama
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[์นผ๋Ÿผ] "ํ•ด์™ธ ์‹œ์žฅ์ด ์ฃผ๋ชฉํ•˜๋Š” K-๋“œ๋ผ๋งˆ์˜ ๋ฌด๊ธฐ๋Š” '์†Œ์žฌ'์ผ๊นŒ, '์ธ๋ ฅ'์ผ๊นŒ?"...K-์˜ ๋ณดํŽธ์  ๋ฏธ๋ž˜๋ฅผ ๊ฟˆ๊พธ๋ฉฐ

ํ•œ๊ตญ ๋“œ๋ผ๋งˆ์— ๋” ๋šœ๋ ทํ•˜๊ฒŒ ์ฅ˜ ์ˆ˜ ์žˆ๋Š” ๊ฐ•๋ ฅํ•œ ์†Œ์žฌ๊ฐ€ ํ•„์š”ํ•˜๋‹ค๋Š” ์ƒ๊ฐ์ด๋‹ค. ์šฐ๋ฆฌ์˜ ๊ฒฝ์Ÿ๋ ฅ์ด ์ธ๋ ฅ์— ์˜์ง€ํ•˜๋Š” ์ •๋„๊ฐ€ ๋†’์„์ˆ˜๋ก ์ง€์†์ ์ธ ์˜ํ–ฅ๋ ฅ์„ ์—ฐ์žฅํ•˜๊ธฐ์— ์œ„ํ—˜ ๋ถ€๋‹ด์ด ์ž๋ฆฌํ•œ๋‹ค.

ํ•œ๊ธ€๋ฆฌํฌํŠธK-dramaReview & Essay
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[๋น„ํ‰] ๋งค๋ ฅ์ ์ธ ์ƒ์—… ์„œ์‚ฌ, K-๋“œ๋ผ๋งˆ ์† ์—ฌ์„ฑ์˜ ์„ฑ๊ณผ ์‚ฌ๋ž‘: tvN ๋“œ๋ผ๋งˆ "์ •๋…„์ด"์™€ Jtbc"์ •์ˆ™ํ•œ ์„ธ์ผ์ฆˆ" ๋“ฑ

ํฅ๋ฏธ๋กœ์šด ์ง€์ ์€ ๋Œ€์ค‘๋ฌธํ™”๊ฐ€ ๋‚จ์„ฑ์˜ ์„ฑ์ด๋‚˜ ๋™์„ฑ์• ์— ๋Œ€ํ•ด ๋‹ค๋ฃฐ ๋•Œ์™€๋Š” ๋‹ค๋ฅด๊ฒŒ, ์—ฌ์„ฑ์˜ ์„ฑ์— ๊ด€ํ•œ ์ด์•ผ๊ธฐ์—๋Š” ๋น„๊ต์  ๊ด€๋Œ€ํ•˜๋‹ค๋Š” ์ ์ด๋‹ค. ์™œ ๊ทธ๋Ÿด๊นŒ?

Column & Essayํ•œ๊ธ€๋ฆฌํฌํŠธK-drama
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[๋น„ํ‰] "์ง„๋ถ€ํ•œ ๋ถ€๋ถ€ ์‚ฌ์ด์— ๋ฉœ๋กœ๋ผ๋‹ˆ!"...K-์ฝ˜ํ…์ธ  ์Šคํ† ๋ฆฌํ…”๋ง์˜ ํž˜์€ ์–ด๋””๊นŒ์ง€?

๊ฐ€์กฑ, ๋ถ€๋ถ€, ๋กœ๋งจ์Šค๋Š” ๋ชจ๋“  ๋ฌธํ™”๊ถŒ์„ ๋ง๋ผํ•˜์—ฌ ๋ณดํŽธ์ ์ธ ์†Œ์žฌ์ด๋ฉฐ, ์‹œ์ฒญ์ž์˜ ๊ด€์‹ฌ์ด ๊ฐ€์žฅ ์ง‘์ค‘๋˜๋Š” ์žฅ๋ฅด์ด์ž ์†Œ์žฌ์ด๋‹ค. ํ•˜์ง€๋งŒ ์ด๋“ค ๊ฐ„์˜ ์กฐํ•ฉ์€ ์‰ฝ๊ฒŒ ์ƒ์ƒ๋˜์ง€ ์•Š๋Š”๋‹ค. ๋ถ€๋ถ€ ๊ฐ„์˜ ๋กœ๋งจ์Šค๋Š” โ€˜๊ฐ€์กฑ๋ผ๋ฆฌ ๋ฌด์Šจ?โ€™ ์ด๋ผ๋Š” ๋†๋‹ด์ด ์žˆ์„ ์ •๋„๋กœ ์›ƒ๊ธฐ๋Š” ์กฐํ•ฉ์ด๋‹ค. ํ•˜์ง€๋งŒ ํ•œ๊ตญ์˜ ํ…”๋ ˆ๋น„์ „ ๋“œ๋ผ๋งˆ๊ฐ€ ๊ทธ๊ฒƒ์„ ํ•ด๋‚ด๋Š” ์ค‘์ด๋‹ค.

ํ•œ๊ธ€๋ฆฌํฌํŠธK-drama
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[๋ถ„์„] ์›น์†Œ์„คยท์›นํˆฐ์ด ์ ๋ นํ•œ TV โ€ฆ"์›์ž‘์ด ์žˆ์–ด์•ผ ์„ฑ๊ณตํ•œ๋‹ค"

์›น์†Œ์„คยท์›นํˆฐ์˜ ๋“œ๋ผ๋งˆํ™”๋Š” ๋‹จ์ˆœ ํŠธ๋ Œ๋“œ๋ฅผ ๋„˜์–ด ์ฝ˜ํ…์ธ  ์‚ฐ์—…์˜ ์ค‘์š”ํ•œ ์ถ•์œผ๋กœ ์ž๋ฆฌ ์žก๊ณ  ์žˆ๋‹ค. ์ด๋Š” ํ•œ๊ตญ ๋“œ๋ผ๋งˆ์˜ ๋‹ค์–‘์„ฑ๊ณผ ์ฐฝ์˜์„ฑ์„ ํ•œ์ธต ๋” ๋†’์ด๋Š” ๊ณ„๊ธฐ๊ฐ€ ๋˜๊ณ  ์žˆ๋‹ค. ๋‹ค๋งŒ ์ด์™€ ๋”๋ถˆ์–ด ์ง€์ƒํŒŒ ๋ฐฉ์†ก์ œ์ž‘์‚ฌ์˜ ๋‹จ๋ง‰๊ทน ๋“ฑ์„ ํ†ตํ•œ ์‹ ์˜ˆ ์ฐฝ์ž‘์ž๋“ค์„ ๋ฐœ๊ตดํ•ด๋‚ด๋Š” ์‹œ์Šคํ…œ์ด ์žˆ์–ด์•ผ ๊ธ€๋กœ๋ฒŒ ์‹œ์žฅ์—์„œ K๋“œ๋ผ๋งˆ์˜ ์œ„์ƒ์ด ๋”์šฑ ๋†’์•„์งˆ ๊ฒƒ์ด๋‹ค.

Column & EssayK-drama
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[Essay] The significance of K-drama's wins at international awards---โ‘ก

K-dramas have expanded globally, evidenced by successive international awards. "Yeonmo" winning the International Emmy signifies a shift in cultural perception. While celebrating, it's vital to consider the broader implications for K-drama's sustainability and future growth ....

K-dramaReview & Essay
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[Essay] The significance of K-drama's wins at international awards---โ‘ 

K-dramas have expanded globally, evidenced by successive international awards. "Yeonmo" winning the International Emmy signifies a shift in cultural perception. While celebrating, it's vital to consider the broader implications for K-drama's sustainability and future growth ....

K-drama
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[News] Korean IPR trade surplus of $1.8 billion 'largest ever'

"While demand for Korean cultural content such as music, dramas and webtoons remained robust, cultural and artistic copyrights achieved the largest surplus ever as overseas performances expanded after the coronavirus pandemic,"

K-dramaReview & Essay
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[Movie] On the Possibility of Nationalistic Occultism: 3.1 Movement and <EXHUMA:็ ดๅข“>

Perhaps the most controversial movie of the year, "EXHUMA" stands on two delicate points. The "Asian universals" of goodness and shamanism and the "limitations of 100 years of time", which are the three dimensions of the soul's dispersion, collide in an interesting way.

Column & EssayK-drama
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[ESSAY] How Will Short-Form Videos Impact Korean TV Drama Reception?

Short-form content also plays a crucial role in the popularity of dramas in the entertainment industry. Recently, the younger generation tends to consume TV dramas not only through global SVOD platforms such as Netflix, but also through short-form platforms such as TikTok, Reels, and Shorts.

Review & EssayK-drama
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[Essay] Hallyu Drama About The Frustration And Dreams Of Ordinary People

Many Hallyu experts have already analyzed, "The background of the spread of Hallyu is directly related to the aspiration of the middle class, which is spreading all over the world. In fact, the middle class in 21st century Korea is the thickest and most robust in the world.

Column & EssayK-drama
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[Column] Key Considerations for Success in the OTT Market: Investment, Distribution, and Survival Strategies

In the past, the South Korean film industry was vibrant, producing tens of millions of box office hits each year with active investment. However, the impact of COVID-19, coupled with a three-year period of disrupted production, investment, and exhibition, has hindered the film industry's recovery.