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ν•œκΈ€λ¦¬ν¬νŠΈColumn & Essay
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[칼럼] λ°©μ†‘μ˜ λ‚  'μ• κ°€(ε“€ζ­Œ)'... "방솑이 μ‚΄μ•„μ•Ό ν•œλ₯˜κ°€ μ‚°λ‹€"

방솑은 ν•œλ₯˜ μ½˜ν…μΈ μ˜ 생산, μœ ν†΅, μ†ŒλΉ„, ν™•μ‚°μ˜ λͺ¨λ“  λ‹¨κ³„μ—μ„œ 핡심적인 역할을 ν•œλ‹€. λ°©μ†‘μ˜ λΆ•κ΄΄λŠ” λ‹¨μˆœνžˆ ν•˜λ‚˜μ˜ λ―Έλ””μ–΄ ν”Œλž«νΌμ˜ μ†Œλ©Έμ΄ μ•„λ‹ˆλΌ, ν•œλ₯˜λ₯Ό μ§€νƒ±ν•˜λŠ” 전체 μƒνƒœκ³„μ˜ λΆ•κ΄΄λ₯Ό μ˜λ―Έν•œλ‹€. λ”°λΌμ„œ λ°©μ†‘μ˜ 건강성 μœ μ§€λŠ” ν•œλ₯˜μ˜ 지속 κ°€λŠ₯ν•œ λ°œμ „μ„ μœ„ν•΄ ν•„μˆ˜μ μ΄λ‹€.

ν•œκΈ€λ¦¬ν¬νŠΈColumn & EssayReview & Essay
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[비평] '파격적인 파리', '쀄어든 TV 영ν–₯λ ₯', 'λŠ˜μ–΄λ‚œ κ°œμΈμ„œμ‚¬', '상상λ ₯ λΆ€μ‘±ν–ˆλ˜ ν•œλ₯˜' … λ¬Έν™”μ—°κ΅¬μžκ°€ λ³Έ νŒŒλ¦¬μ˜¬λ¦Όν”½

슀포츠 μ‹œμž₯의 λ‹€μ–‘ν™”λ‘œ μΈν•œ 각쒅 κ΅­μ œλŒ€νšŒλ“€κ³Όμ˜ 경쟁 심화, ν”„λ‘œ λ¦¬κ·Έλ“€μ˜ μ„±μž₯κ³Ό 인기 μƒμŠΉμœΌλ‘œ μ˜¬λ¦Όν”½ μžμ²΄μ— λŒ€ν•œ 관심도가 떨어진 μ΄μœ λ„ μžˆκ² μ§€λ§Œ, 미디어와 λŒ€μ€‘λ¬Έν™”μ˜ μ°¨μ›μ—μ„œ λΉ„μΆ”μ–΄ 봐도 기쑴의 μ ‘κ·Ό λ²•μœΌλ‘œλŠ” 사뭇 λ‚―μ„  ν˜„μƒμ΄ λ‘λ“œλŸ¬μ§„ λŒ€νšŒμ˜€λ‹€.

Authors & Editorsν•œκΈ€λ¦¬ν¬νŠΈK-pop & Music
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[뢄석] 침체기 ν•œλ₯˜ λΉ„μž₯의 무기, 'μ•„μ΄μœ '의 μ›”λ“œνˆ¬μ–΄: ν•œλ₯˜μ˜ λ―Έλž˜μ— λŒ€ν•œ 였래 μ€€λΉ„λœ 응닡

μ˜€λŠ˜λ‚  κ°€μˆ˜ μ•„μ΄μœ (IU)λŠ” 거의 λͺ¨λ“  μΈ‘λ©΄μ—μ„œ μ™„μ„±ν˜• μΌ€μ΄νŒ μŠ€νƒ€λ‘œμ„œμ˜ λͺ¨λΈμ„ μ œμ‹œν•œλ‹€. μ§€λ‚œ 17λ…„ μ•„μ΄μœ μ˜ λͺ¨λ“  행보가 λ°”λ‘œ ν•œλ₯˜μ™€ μΌ€μ΄νŒμ˜ β€œμ΅œμ„ β€μ΄λ©° β€œμ΅œμ „μ„ β€μ΄λΌλŠ” 증거가 λœλ‹€.

ν•œκΈ€λ¦¬ν¬νŠΈReview & Essay
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[리포트] μ˜μ›ν•œ μ²­λ…„ κΉ€λ―ΌκΈ°μ˜ β€˜μ•„μΉ¨μ΄μŠ¬β€™ 가사 뢄석 ... μ—΄λ¦° 결말의 μ„±μž₯λ¬Έν•™

ν•„μžκ°€ β€˜μ•„μΉ¨μ΄μŠ¬β€™μ—μ„œ μ†κΌ½λŠ” μ‹œμ–΄θ©©θͺžλ„ β€˜λ°°μš΄λ‹€β€™μ΄λ‹€. 특히 β€˜(μž‘μ€) λ―Έμ†Œλ₯Ό λ°°μš΄λ‹€β€™λ₯Ό μ£Όλͺ©ν•΄ λ³Έλ‹€. λ―Έμ†Œλ₯Ό λ°°μš΄λ‹€λ‹ˆ, 무슨 말인가? κ΅¬κΈ€μ—μ„œ 'λ―Έμ†Œλ₯Ό'을 검색해 보면 'μ§“λŠ”λ‹€', '띀닀'κ°€ μ—°κ΄€ κ²€μƒ‰μ–΄λ‘œ λ‚˜μ˜¨λ‹€

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[μ˜€ν”Όλ‹ˆμ–Έ] ν•œκ΅­ μ˜μƒμ‚°μ—… μœ„κΈ°λ‘  : 'μ½˜ν…μΈ  μ‚°μ—…' λͺ°λ½ν•˜λ©΄ ν•œλ₯˜λ„ μ—†λ‹€

였늘 λ„·ν”Œλ¦­μŠ€ μ†μ—μ„œ λ³΄λŠ” ν•œκ΅­ μ½˜ν…μΈ λŠ” μ§€λ‚œ μ‹œκΈ°μ— 결정을 ν•œ 것이고, 였늘 결정을 ν•΄μ•Ό ν•˜λŠ” 것듀을 μš°λ¦¬λŠ” μ μ •ν•œ λ―Έλž˜μ— μ‹œμ²­ν•  수 μžˆλŠ” 것이닀. 그런데 였늘의 μ‹œμž₯은 μ€‘μš”ν•œ 결정을 ν•˜μ§€ λͺ»ν•˜κ³  λŒ€μ²΄μ œλ₯Ό μ°ΎκΈ° μ‹œμž‘ν–ˆλ‹€.

ν•œκΈ€λ¦¬ν¬νŠΈK-drama
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[뢄석] μ›Ήμ†Œμ„€Β·μ›Ήνˆ°μ΄ μ λ Ήν•œ TV …"μ›μž‘μ΄ μžˆμ–΄μ•Ό μ„±κ³΅ν•œλ‹€"

μ›Ήμ†Œμ„€Β·μ›Ήνˆ°μ˜ λ“œλΌλ§ˆν™”λŠ” λ‹¨μˆœ νŠΈλ Œλ“œλ₯Ό λ„˜μ–΄ μ½˜ν…μΈ  μ‚°μ—…μ˜ μ€‘μš”ν•œ μΆ•μœΌλ‘œ 자리 작고 μžˆλ‹€. μ΄λŠ” ν•œκ΅­ λ“œλΌλ§ˆμ˜ λ‹€μ–‘μ„±κ³Ό μ°½μ˜μ„±μ„ ν•œμΈ΅ 더 λ†’μ΄λŠ” 계기가 되고 μžˆλ‹€. λ‹€λ§Œ 이와 λ”λΆˆμ–΄ μ§€μƒνŒŒ λ°©μ†‘μ œμž‘μ‚¬μ˜ 단막극 등을 ν†΅ν•œ μ‹ μ˜ˆ μ°½μž‘μžλ“€μ„ λ°œκ΅΄ν•΄λ‚΄λŠ” μ‹œμŠ€ν…œμ΄ μžˆμ–΄μ•Ό κΈ€λ‘œλ²Œ μ‹œμž₯μ—μ„œ Kλ“œλΌλ§ˆμ˜ μœ„μƒμ΄ λ”μš± λ†’μ•„μ§ˆ 것이닀.

ν•œκΈ€λ¦¬ν¬νŠΈReview & Essay
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[μ˜€ν”Όλ‹ˆμ–Έ] μƒλ°˜κΈ° μ΅œλŒ€ νžˆνŠΈμž‘ 눈물의 μ—¬μ™• : K-λ“œλΌλ§ˆμ˜ μ €λ ₯, ν…μŠ€νŠΈμ˜ νž˜μ„ μ‚΄νŽ΄λ³΄λ‹€

"눈물의 μ—¬μ™•"은 전톡적 μ„± μ—­ν• κ³Ό 계급 μ§ˆμ„œλ₯Ό μ „λ³΅ν•˜λ©΄μ„œλ„ μ΅μˆ™ν•œ 둜맨슀 μš”μ†Œλ₯Ό κ²°ν•©ν•΄ K-λ“œλΌλ§ˆμ˜ μƒˆ 지평을 μ—΄μ—ˆλ‹€. 결혼 μƒν™œμ˜ ν˜„μ‹€κ³Ό λ‘œλ§¨ν‹±ν•œ νŒνƒ€μ§€λ₯Ό λ™μ‹œμ— λ‹΄μ•„λ‚΄λ©°, κ°€λΆ€μž₯μ œμ™€ 계급 문제λ₯Ό μ½”λ―Ήν•˜κ²Œ ν’μžν•΄ μ‹œμ²­μžλ“€μ˜ 곡감을 μ–»μ—ˆλ‹€. 이 λ“œλΌλ§ˆλŠ” 둜맨슀 μž₯λ₯΄μ— μ‹ μ„ ν•œ λ³€μ£Όλ₯Ό 더해 κ΅­λ‚΄μ™Έ μ‹œμ²­μžλ“€μ—κ²Œ μƒˆλ‘œμš΄ K-λ“œλΌλ§ˆμ˜ κ°€λŠ₯성을 λ³΄μ—¬μ£Όμ—ˆλ‹€.

Column & Essayν•œκΈ€λ¦¬ν¬νŠΈ
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[뢄석] 점차 ν•˜κ°•ν•˜λŠ” K-μ½˜ν…μΈ ?…"κ³Όλ„ν•œ μƒμ—…μ£Όμ˜ λŒ€μ‹  λŒ€μ€‘μ„±κ³Ό 일상성 볡원해야"

"피크 아웃(peak-out)"은 μ–΄λ–€ ν˜„μƒμ΄ 정점에 λ„λ‹¬ν•œ ν›„ μ„œμ„œνžˆ μ‡ ν‡΄ν•˜λŠ” 것을 μ˜λ―Έν•œλ‹€. ν•œλ₯˜μ™€ 관련지어 보면, ν•œκ΅­ λŒ€μ€‘λ¬Έν™”κ°€ μ „ μ„Έκ³„μ μœΌλ‘œ μ΅œκ³ μ‘°μ— λ‹¬ν–ˆλ˜ μ‹œκΈ°λ₯Ό μ§€λ‚˜ 점차 인기가 μ‹μ–΄κ°€λŠ” 양상을 피크 μ•„μ›ƒμœΌλ‘œ λ³Ό 수 μžˆκ² λ‹€. 과포화 μƒνƒœμ— 이λ₯Έ μ‹œμž₯, μ°½μ˜μ„± 고갈, κ³Όλ„ν•œ 상업화 등이 κ·Έ μ›μΈμœΌλ‘œ κΌ½νžŒλ‹€.

Column & EssayK-pop & Music
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[Opinion] Chairman Bang's Multi-label Strategy and its Bankruptcy?

Min's recent complaints highlight a broader issue within the industry, particularly regarding the nature of girl groups in K-pop over the past three decades. These complaints suggest a failure on HYBE's part to address the concerns and perspectives of a key industry figure like Min Heejin.

Column & EssayK-drama
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[Essay] The significance of K-drama's wins at international awards---β‘‘

K-dramas have expanded globally, evidenced by successive international awards. "Yeonmo" winning the International Emmy signifies a shift in cultural perception. While celebrating, it's vital to consider the broader implications for K-drama's sustainability and future growth ....

K-dramaReview & Essay
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[Essay] The significance of K-drama's wins at international awards---β‘ 

K-dramas have expanded globally, evidenced by successive international awards. "Yeonmo" winning the International Emmy signifies a shift in cultural perception. While celebrating, it's vital to consider the broader implications for K-drama's sustainability and future growth ....

Column & EssayAuthors & Editors
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[Column] Illusion and Essence of K: Beyond the Ambiguity of 'K-'

This article focuses on the characteristics of the "K" concept and suggests that this could be an opportunity to mature our cultural awareness to a higher level.